This is a film that suggests that Morehead and Benson have something important to share with their work.

Spring’s overall balance suggests that Benson and Moorhead are students of Italian genre cinema and of human behavior; the film has insight and style to burn.

Sometimes the most thrilling thing a film can do is shake the shackles of its own preordained genre as you're watching it. The result might turn out to be a deal-breaking tonal trainwreck, but when such a hybrid works – and Spring, the second feature from directing team Aaron Moorhead and Justin Benson, does work – it can make for an improbably lovely experience.

A film about taking chances takes its own big chance, risking ridicule with a third act that’s at once sweet, amusing, lackadaisical, and more than a little preposterous.

The suspense and pleasure of Justin Benson and Aaron Moorhead's talking-and-tentacles horror romance Spring lies in discovering what shape the film is going to take.