Information
Released Year: 2016
Runtime: 96 minutes
Genre: Horror
Directors: Johannes Roberts
Writers: Johannes Roberts, Ernest Riera
Ratings: 
(6 votes, average: 3.33 out of 5)
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(6 votes, average: 3.33 out of 5)Loading...Reviews
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Entertainment Weekly -
The true horror of The Other Side of the Door is that Maria, too, has kicked off a vicious cycle of unnatural destruction, as the movie makes clear in its hard-hitting final punchline.
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Empire -
A solid haunting-possession movie with good character work and unusual local colour, this works in a few surprises, sufficient scares and a nicely barbed punchline.
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The Guardian -
There are no prizes for guessing what happens, but it’s a smart scary movie that relies on atmosphere and characterisation – not just jump-scares – for its effect.
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The Hollywood Reporter -
With its measured pacing, focus on family and repurposing of familiar horror conventions, the film represents a rather adult offering that can’t manage any memorable frights until well into the first hour of running time.
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Austin Chronicle -
Effective performances by the principals are unable to surmount the movie’s many cliches, although the actors render them more endurable. A more evocative title for this Hindu Gothic might be: "Mommies Shouldn’t Play With Dead Things."
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The Other Side of the Door (2016)
Grieving over the loss of her son, a mother struggles with her feelings for her daughter and her husband. She seeks out a ritual that allows her say goodbye to her dead child, opening the veil between the world of the dead and the living. Her daughter becomes the focus of terror. She must now protect against the evil that was once her beloved son.
The Other Side of the Door (2016)
(6 votes, average: 3.33 out of 5)Loading...
Information
Released Year: 2016
Runtime: 96 minutes
Genre: Horror
Directors: Johannes Roberts
Writers: Johannes Roberts, Ernest Riera
Storyline
Grieving over the loss of her son, a mother struggles with her feelings for her daughter and her husband. She seeks out a ritual that allows her say goodbye to her dead child, opening the veil between the world of the dead and the living. Her daughter becomes the focus of terror. She must now protect against the evil that was once her beloved son.
Trailer
Reviews
|
|
Entertainment Weekly -
The true horror of The Other Side of the Door is that Maria, too, has kicked off a vicious cycle of unnatural destruction, as the movie makes clear in its hard-hitting final punchline.
|
|
|
Empire -
A solid haunting-possession movie with good character work and unusual local colour, this works in a few surprises, sufficient scares and a nicely barbed punchline.
|
|
|
The Guardian -
There are no prizes for guessing what happens, but it’s a smart scary movie that relies on atmosphere and characterisation – not just jump-scares – for its effect.
|
|
|
The Hollywood Reporter -
With its measured pacing, focus on family and repurposing of familiar horror conventions, the film represents a rather adult offering that can’t manage any memorable frights until well into the first hour of running time.
|
|
|
Austin Chronicle -
Effective performances by the principals are unable to surmount the movie’s many cliches, although the actors render them more endurable. A more evocative title for this Hindu Gothic might be: "Mommies Shouldn’t Play With Dead Things."
|
Related Movies
Grieving over the loss of her son, a mother struggles with her feelings for her daughter and her husband. She seeks out a ritual that allows her say goodbye to her dead child, opening the veil between the world of the dead and the living. Her daughter becomes the focus of terror. She must now protect against the evil that was once her beloved son.
Grieving over the loss of her son, a mother struggles with her feelings for her daughter and her husband. She seeks out a ritual that allows her say goodbye to her dead child, opening the veil between the world of the dead and the living. Her daughter becomes the focus of terror. She must now protect against the evil that was once her beloved son.
Grieving over the loss of her son, a mother struggles with her feelings for her daughter and her husband. She seeks out a ritual that allows her say goodbye to her dead child, opening the veil between the world of the dead and the living. Her daughter becomes the focus of terror. She must now protect against the evil that was once her beloved son.
Grieving over the loss of her son, a mother struggles with her feelings for her daughter and her husband. She seeks out a ritual that allows her say goodbye to her dead child, opening the veil between the world of the dead and the living. Her daughter becomes the focus of terror. She must now protect against the evil that was once her beloved son.