Outside In is not a story filled with events or even big moments, but, instead, accumulates its momentum through the numerous small decisions that eventually bring our leads to a hard won understanding.

Shelton’s work is understated, but elevates seemingly forgettable scenarios with a wise, humane approach that makes even a lesser work like Outside In a cut above the market standard.

Shelton may not be as prolific as the Duplasses (I’m not sure anyone could be – they seem to churn out movies in their sleep), but her work has steadily gotten more assured and quietly powerful. Her continued partnership with the brothers is a tonic for anyone who cares about keeping the Sundance-of-the-‘90s spirit alive.

A love story whose resolution remains tough to predict, Outside In respects all its characters by not pretending their choices are easily made.

Outside In feels eventful, even somewhat suspenseful, as we worry that being around so many screwups of one sort or another might endanger Chris’ still-fragile freedom.