Everything Is Copy (2015)


Jacob Bernstein's extremely entertaining film is a tribute to his mother Nora Ephron: Hollywood-raised daughter of screenwriters who grew up to be an ace reporter turned piercingly funny essayist turned novelist/screenwriter/playwright/director. Ephron comes vibrantly alive onscreen via her words; the memories of her sisters, colleagues, former spouses, and many friends; scenes from her movies; and, above all, her own inimitable presence. Watch any given moment of Ephron being her sparkling but caustically witty self (for instance, this response to a scolding talk show host—"You have a soft spot for Julie Nixon, don't you. See, I don't...") and you find it hard to believe that she’s been gone from our midst for three years. Everything Is Copy (Ephron's motto, inherited from her mother) is a lovingly drawn but frank portrait and, incidentally, a vivid snapshot of an earlier, livelier, bitchier, and funnier moment in New York culture.

Everything Is Copy (2015)

1 Star2 Stars3 Stars4 Stars5 Stars (3 votes, average: 2.67 out of 5)
Loading...

Information


Released Year: 2015
Runtime: 89 minutes
Genre: Documentary

Storyline


Jacob Bernstein's extremely entertaining film is a tribute to his mother Nora Ephron: Hollywood-raised daughter of screenwriters who grew up to be an ace reporter turned piercingly funny essayist turned novelist/screenwriter/playwright/director. Ephron comes vibrantly alive onscreen via her words; the memories of her sisters, colleagues, former spouses, and many friends; scenes from her movies; and, above all, her own inimitable presence. Watch any given moment of Ephron being her sparkling but caustically witty self (for instance, this response to a scolding talk show host—"You have a soft spot for Julie Nixon, don't you. See, I don't...") and you find it hard to believe that she’s been gone from our midst for three years. Everything Is Copy (Ephron's motto, inherited from her mother) is a lovingly drawn but frank portrait and, incidentally, a vivid snapshot of an earlier, livelier, bitchier, and funnier moment in New York culture.

Trailer


Reviews


100
San Francisco Chronicle - David Wiegand
Jacob Bernstein’s documentary about his mother, Nora Ephron, is unbearably funny for much of the way, and then it is sad, but bearably so because Everything Is Copy is about one woman’s realization that some things in life are more than material for her writing.
91
Entertainment Weekly - Leah Greenblatt
Copy celebrates a brilliant storyteller and her lacerating wit...but also recalls a woman who could be bossy, presumptuous, and sometimes mean. To the end, though, she was adored.
90
The New York Times - Jeannette Catsoulis
Digging into the psychological space between her wildly public life and intensely private death, Everything Is Copy is a pickle slathered in whipped cream. Just like its subject.
80
Los Angeles Times - Robert Abele
It's a fitting tribute to the influential journalist-essayist-filmmaker: insightful about the life of a successful writer, engaging about how a smart modern woman navigated the world, but also quizzical about how Ephron was as a daughter, sister, wife and mother.
80
Variety - Nick Schager
Anything but a morose tale of a bright light snuffed out far too soon, Bernstein’s documentary is an inspiring heartstring-tugger.

Related Movies


Jacob Bernstein's extremely entertaining film is a tribute to his mother Nora Ephron: Hollywood-raised daughter of screenwriters who grew up to be an ace reporter turned piercingly funny essayist turned novelist/screenwriter/playwright/director. Ephron comes vibrantly alive onscreen via her words; the memories of her sisters, colleagues, former spouses, and many friends; scenes from her movies; and, above all, her own inimitable presence. Watch any given moment of Ephron being her sparkling but caustically witty self (for instance, this response to a scolding talk show host—"You have a soft spot for Julie Nixon, don't you. See, I don't...") and you find it hard to believe that she’s been gone from our midst for three years. Everything Is Copy (Ephron's motto, inherited from her mother) is a lovingly drawn but frank portrait and, incidentally, a vivid snapshot of an earlier, livelier, bitchier, and funnier moment in New York culture.

Jacob Bernstein's extremely entertaining film is a tribute to his mother Nora Ephron: Hollywood-raised daughter of screenwriters who grew up to be an ace reporter turned piercingly funny essayist turned novelist/screenwriter/playwright/director. Ephron comes vibrantly alive onscreen via her words; the memories of her sisters, colleagues, former spouses, and many friends; scenes from her movies; and, above all, her own inimitable presence. Watch any given moment of Ephron being her sparkling but caustically witty self (for instance, this response to a scolding talk show host—"You have a soft spot for Julie Nixon, don't you. See, I don't...") and you find it hard to believe that she’s been gone from our midst for three years. Everything Is Copy (Ephron's motto, inherited from her mother) is a lovingly drawn but frank portrait and, incidentally, a vivid snapshot of an earlier, livelier, bitchier, and funnier moment in New York culture.

Jacob Bernstein's extremely entertaining film is a tribute to his mother Nora Ephron: Hollywood-raised daughter of screenwriters who grew up to be an ace reporter turned piercingly funny essayist turned novelist/screenwriter/playwright/director. Ephron comes vibrantly alive onscreen via her words; the memories of her sisters, colleagues, former spouses, and many friends; scenes from her movies; and, above all, her own inimitable presence. Watch any given moment of Ephron being her sparkling but caustically witty self (for instance, this response to a scolding talk show host—"You have a soft spot for Julie Nixon, don't you. See, I don't...") and you find it hard to believe that she’s been gone from our midst for three years. Everything Is Copy (Ephron's motto, inherited from her mother) is a lovingly drawn but frank portrait and, incidentally, a vivid snapshot of an earlier, livelier, bitchier, and funnier moment in New York culture.

Jacob Bernstein's extremely entertaining film is a tribute to his mother Nora Ephron: Hollywood-raised daughter of screenwriters who grew up to be an ace reporter turned piercingly funny essayist turned novelist/screenwriter/playwright/director. Ephron comes vibrantly alive onscreen via her words; the memories of her sisters, colleagues, former spouses, and many friends; scenes from her movies; and, above all, her own inimitable presence. Watch any given moment of Ephron being her sparkling but caustically witty self (for instance, this response to a scolding talk show host—"You have a soft spot for Julie Nixon, don't you. See, I don't...") and you find it hard to believe that she’s been gone from our midst for three years. Everything Is Copy (Ephron's motto, inherited from her mother) is a lovingly drawn but frank portrait and, incidentally, a vivid snapshot of an earlier, livelier, bitchier, and funnier moment in New York culture.