Pacino simmers in this daring and brilliantly constructed treatise on the many facets of a crime.

Dog Day Afternoon is a frank social melodrama that’s also a celebration of quotidian bravery. The camera might linger on guns and barely restrained violence, but it also dwells upon the love and the support that’s extended in the weirdest and most unexpected of places.

A masterly reconstruction of a Brooklyn bank siege on August 22, 1972, built around arguably Al Pacino's finest screen performance.

The entire cast is excellent, top to bottom. Dog Day Afternoon is, in the whole as well as the parts, film-making at its best.

The film's tone is extraordinarily flexible, holding within the same reality elements of the absurd, the ridiculous and the comic while sustaining a sense of tension and dread throughout. This is, of course, one of the classic Pacino roles - he's so appealing - but don't overlook the late John Cazale as his accomplice, who gives us a character who's stupid and scared, troubled and dangerous, and disturbingly inscrutable.